منابع
- ابوبکر بن خسرو الاستاد (۱۴۰۰). مونسنامه. مصحح: نسرین عسکری. تهران: بنیاد موقوفات محمود افشار با همکاری سخن.
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- چلکوسکی، پیتر (۱۳۷۰). «آیا اپرای توراندخت پوچینی بر اساس کوشک سرخ هفت پیکر نظامی است؟»، ایرانشناسی. سال ۴. شماره ۳. صص: ۷۱۴-۷۲۲.
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منابع خارجی
- Balkin, Jack. M. (1990)."Turandot's victory". Yale JL & Human ,Vol.2(02).pp.299-341.
- Goldberg, Christine. (2015). Turandot’s sisters: A Study of the Folktale AT 851.London&Newyork:Routledge Library Editions: Folklore.
- Jung, Carl Gustav. (1969). The Archetype and the Collective Unconscious. Princeton:Princeton University Press.
- Khanlari, Zahra. (2007). Persian Tales. Translated by Zhang Hongnian. Yinchuan: Ningxia People's Publishing House.
- Ling, Jian'e. (2005). "Dulanduo and Turandot: a resistant reading". Hundred Arts, (03), pp.44-47.
- Liu, Mi. (2007). The Evolution of the Text of Turandot and Its Cultural Roots. Zhejiang University.
- Luo, Tian. (2006). "The French origins of Turandot". Chinese Comparative Literature, (04), pp.156-167.
- Marzolph, Ulrich. (2017).Relief After Hardship: The Ottoman Turkish Model for The Thousand and One Days. Michigan: Wayne State University Press Detroit.
- Mu, Hongyan. (2010). "Revisiting Turandot's Chinese Identity--Discussing with Mr. Tan Yuan". Foreign Literature Review, (02),pp. 225-229.
- Mu, Hongyan. (2008). "Turandot is a Chinese princess?". Overseas Chinese Newspaper. 3.8, D4.
- Orsatti, Paola. (2019). Materials for a History of the Persian Narrative Tradition. Two Characters: Farhad and Turandot. Venezia: Edizioni Ca’ Foscari- digital publishing.
- Pétis de La Croix.(1981) One Thousand and One Days. Translated by Du Jian.Shenyang: Liaoning People's Publishing House.
- Seyed-Gohrab, Asghar (2019-11-29). "Persian roots of Puccini’s opera Turandot". https://leidenmedievalistsblog.nl/articles/persian-roots-of-puccinis-opera-turandot.
- Sun, Huizhu. (2005). "Turandot and the East-West Gender Debate". Journal of Nanjing Arts Institute, (02), pp.57-62.
- Thompson, Stith. (1991). A Taxonomy of World Folktales. Translated by Zheng Hai et al. Shanghai: Shanghai Literature and Art Publishing House.
- Wang, Yidan. (2021). "Images of Chinese Princesses in Persian Classical Literature: From Chinese Princesses in The Samak Ayar". Edited by the Institute of Iranian Culture, Peking University. Iranology in China (Fourth Series). Shanghai: Chinese and Western Books, pp.283-299.
- Mogtader, Youssef & Schoeler, Gregor.(2017). Turandot. Die persische Märchenerzälung. Edition, Übersetzung, Kommentar. Wiesbaden: Reichert Verlag. persian text, pp.21-57.
- Yu, Yusen, and Fadaeleusketi, Faryanne. (2015). "From Persia to Europe: Another dimension of the spread of the Chinese Princess story" ,in: Mu Hongyan, ed. Oriental Series. Zhengzhou: Henan University Press, pp.102-114.
- Zhang, Jingyan. (2002). " A Comparison of the Unconscious Structure of Durandot and Turandot". Journal of Sichuan University, (05),pp.55-60.
References
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- Balkin, Jack M. (1990)."Turandot's victory". Yale JL & Human ,Vol.2(02).pp.299-341.
-Seyed-Gohrab, Asghar (2019-11-29). "Persian roots of Puccini’s opera Turandot". https://leidenmedievalistsblog.nl/articles/persian-roots-of-puccinis-opera-turandot.
- Goldberg, Christine. (2015). Turandot’s sisters: A Study of the Folktale AT 851.London&Newyork: Routledge Library Editions: Folklore.
- Khanlari, Zahra. (2007). Persian Tales. Translated by Zhang Hongnian. Yinchuan: Ningxia People's Publishing House.
- Jung, Carl Gustav. (1969). The Archetype and the Collective Unconscious. Princeton: Princeton University Press.
- Ling, Jian'e. (2005). "Dulanduo and Turandot: a resistant reading". Hundred Arts, (03), pp.44-47.
- Liu, Mi. (2007). The Evolution of the Text of Turandot and Its Cultural Roots. Zhejiang University.
- Luo, Tian. (2006). "The French origins of Turandot". Chinese Comparative Literature, (04), pp.156-167 .
- Marzolph, Ulrich. (2017).Relief After Hardship: The Ottoman Turkish Model for The Thousand and One Days. Michigan: Wayne State University Press Detroit.
- Mu, Hongyan. (2010). "Revisiting Turandot's Chinese Identity--Discussing with Mr. Tan Yuan". Foreign Literature Review, (02), pp. 225-229.
- Mu, Hongyan. (2008). "Turandot is a Chinese princess?". Overseas Chinese Newspaper. 3.8, D4 .
- Orsatti, Paola. (2019). Materials for a History of the Persian Narrative Tradition. Two Characters: Farhad and Turandot. Venezia: Edizioni Ca’ Foscari- digital publishing.
- Sun, Huizhu. (2005). "Turandot and the East-West Gender Debate". Journal of Nanjing Arts Institute, (02), pp.57-62.
- Pétis de La Croix.(1981) One Thousand and One Days. Translated by Du Jian.Shenyang: Liaoning People's Publishing House.
- Thompson, Stith. (1991). A Taxonomy of World Folktales. Translated by Zheng Hai et al. Shanghai: Shanghai Literature and Art Publishing House.
- Wang, Yidan. (2021). "Images of Chinese Princesses in Persian Classical Literature: From Chinese Princesses in The Samak Ayar". Edited by the Institute of Iranian Culture, Peking University. Iranology in China (Fourth Series). Shanghai: Chinese and Western Books, pp.283-299.
- Mogtader, Youssef and Schoeler, Gregor. (2017). Turandot. Die persische Märchenerzälung. Edition, Übersetzung, Kommentar. Wiesbaden: Reichert Verlag. persian text, pp.21-57.
- Yu, Yusen, and Fadaeleusketi, Faryanne. (2015). "From Persia to Europe: Another dimension of the spread of the Chinese Princess story", in: Mu Hongyan, ed. Oriental Series. Zhengzhou: Henan University Press, pp.102-114.
- Zhang, Jingyan. (2002). " A Comparison of the Unconscious Structure of Durandot and Turandot". Journal of Sichuan University, (05), pp.55-60.
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