Examining the link between poetry and music in the vocal part of four programs of the colorful flowers of Iran Radio Emphasizing the compatibility of the themes of the poems and the selected topics.
Document Type : Research Paper
Authors
1 1. Art research PhD student, Isfahan Islamic Azad University (Khorasgan), Isfahan, Iran
2 Assistant Professor of Persian language and literature, Department of General Education, Faculty of Afzalipur Medicine Kerman, Shahid Bahonar university, Kerman, Iran
3 Assistant Professor, PhD in art research band, Faculty of Art Center Tehran, Islamic Azad University Tehran Branch, Iran
4 Assistant Professor, PhD in architecture and urban planning, Faculty of Architecture and Urban Planning, Isfahan Islamic Azad University (Khorasgan), Isfahan, Iran
Abstract
poetry and music have always been homogenouse and companions. Because poetry is actually the music of words and phrases, and Ghana is the music of melodies and songs. "Golha" program was one of first Iranian traditional music program that was broadcast on Iran Radio between 1335 and 1357, and many artists were involved to form it. Therefore, in the field of Iranian music, it is considered as a very rich treasure. Now, how can we explain the relationship between the themes of the poems and the subjects selected by singer? If the lines of Iranian music are the main model of Iranian singing, how much the singers were bound to these lines in the "Colorful Flowers" program? With the aim of answering these questions, the authors analyze the singing of four programs from "Golhaye Rangi" series, to examine the vocal poetry in terms of prosody weight, aesthetic concepts, device type and angle. Then they match the weight of the poem with the vocal lines of Askari Farahani, Karimi and Azamikia. Analytical descriptive research method and library method were used to collect information. The findings show that the singers, in many cases, have intensified the meaning of the poem by using accent, emphasis, tension, inflection, and writing, and on the other hand, they were not completely adhered to the lines of Iranian music.
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